En caso de un ataque de zombies, ¿Qué posibilidades tiene de sobrevivir?

Acá tienen el link: http://www.oneplusyou.com/bb/zombie

En mi caso estas son mis chances de sobrevivir....

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Created by OnePlusYou

En el momento en que terminan el test tienen la posibilidad de colgar el resultado en cualquier web a través del código HTML (como por ejemplo en los comentarios a este post), desde ya, me gustaría ver cuales son sus posibilidades, para ver si arreglamos algo para cuando venga el Apocalipsis Zombie.

Il boit, se drogue, se moque, tue et insulte les gens!! C'est un zombi vraiment fou !

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Por supuesto retrata de nuevo la sociedad, una sociedad de la imagen que ante nada impera el saber mediático de la propia imagen, adelantándose a la propia información contextual y por supuesto adelantándose a la actuación del ser humano. La acción de ayudar, proveer, salvar a la gente que lo necesita. Más adelante ya comentaré más detalladamente el filme pero os dejo con el mil veces visto trailer oficial de la película.

El argumento se centra en unos estudiantes que se proponen dirigir una película de terror en un apartado bosque. Como se presupone la claqueta no dará comienzo a una escena ficticia y no se esperan los peligros reales a los que se enfrentarán.

Lo que probablemente no haga en este blog es utilizarlo de sitio para llevar una campaña, porque ya me parece saturarlo demasiado, pero esperaré a tomar una decisión al momento adecuado.

Y recordad: ¡disparad a la cabeza!

There is an evidentiary basis for supposing that certain other beings, such as chimpanzees, certain dolphins and elephants are self-aware, but this is pretty recent stuff. Pretty much for as long as we've known how to ask the question, we thought we were alone in being sapient.

My usual gauge, then, for what is human, is the ability to think and reason to some degree, and that, I think, is what makes zombie movies such a fascinating and ultimately disturbing genre to me:they play on my sense of what defines humanity, because they show what would be outwardly human by appearance rendered non-human by the absence of sapience and the abandonment of usual human behaviour.

The same thing applies to monster movies, whether subtle, as in the case of Coppola's adaptation of Dracula, or blatant, as is the case with Blade.

Subtlety isn't often a worry for most monster movies (particularly the zombie variety) as many of you will realise, but it does exist in some of them: look at Romero's Dead series, for example, which I have been (re-)watching recently (yes, all of them!). The original classic, Night of The Living Dead is a satire on the Vietnam War and its effects on the society which engendered it and the returning soldiers (it is also accidentally public domain, and I just ache to remake it); Dawn of the Dead, its 1978 sequel, is so well-known as a satire on the consumer culture which dominates America that to talk about it here would be absolutely redundant; and Day of the Dead, the weakest of the "original" trilogy, sends up the military mindset and explores (somewhat unsuccessfully, if we're honest) the idea that humanity's greatest enemy is itself, which is itself a recurring theme in monster movies (look at the non-human monster flicks of the 50s, for example; although their main concern was not humanity’s being perverted but being destroyed by its own hubris, the point remains).

Just a short note on these three - I call them the original trilogy mainly because that's how George Romero has often referred to them. Conceptually, too, they have the feel of a trilogy with a smooth progression of linked events, whereas Land of the Dead and Diary of the Dead feel like they could be stand-alone films: they don't really reference the previous three, and they don’t seem overly satirical. They also show significant differences in zombie behaviour and attributes. Hey, these things matter!

There'll always be a special place in my heart for Romero's Dead series; I think they're true classics which will stand the test of time as commentary on the changing nature of society in the late 20th Century.

On the opposite end of the scale from Romero's deftly crafted satires on politics and society, we have such films as The Slaughter, which is basically pure dross. The plot basically runs that for some hundreds of years, a bunch of witches have made sacrifices on the site of what becomes a farmhouse. Some backstory in the form of a woman who lives there in the 50s and kills her kid under the influence of the soul of the wicked witch follows, then the main plot kicks in: some college students who work at house clearing are hired to clean the place out for the millionaire developer, who for some reason comes to oversee the process with his assistant. Mysterious deaths then ensue, and the evil witch at the heart of it all raises up the kids as zombies, everyone dies, and the end of the world ensues. Notable in no respect, it's almost worth watching for the laughable plot, dreadful acting and crummy special effects; sort of a masterclass in how not to make a good horror film. Its website claims that it's tongue in cheek, and I can sort of see that, about half way through; but it seems more as if the people making it suddenly realised that they were engaged in some really crap film-making and decided to just run with it.

Somewhere in between this silly effort and Romero lie the Resident Evil films. I recently watched the latest instalment of the trilogy, Resident Evil: Extinction. The films are a bit uneven, really; while they’re definitely and obviously an attempt to cash in on the success of the games and are necessarily restricted in their scope and creativity, they’re not that bad.

Films adapted from games have frequently been pretty awful -- for examples, you only have to look at Street Fighter, Mortal Kombat and Doom. Others have merely been mediocre, like Wing Commander, and some, like Resident Evil and Tomb Raider, have actually been relatively competent, if not stellar, examples of their respective genres.

This is not to say that there's nothing wrong with them as movies. They're pretty flat in terms of characterisation; Milla Jovovic is a good singer and competent actress, but in Alice there really isn't much character for her to get to grips with, and while Angelina Jolie isn't going to be winning any Oscars, she is a decent actress and can handle a range of roles, but she certainly wasn't stretched by Tomb Raider.

The films also suffer from a certain flatness of plot, which I think is a sign of the limited scope imposed by a pre-existing narrative structure; adapting someone else's work necessarily entails less imagination than a completely new creation, and the world of the games themselves is very tightly-focused. This in itself prevents character development, too, because it militates against the need for exposition: the background of the story is already pretty familiar to the watcher, so it becomes less necessary to explain things, and modern exposition is primarily driven by characters' thoughts and actions, necessitating their development. And so it goes around and around: the characters don't need to be developed because the background is there, meaning the plot stays static, meaning the characters don't need to be developed… Plot and character growth are sacrificed for action, which isn't the same thing at all.

These issues aside, though, I don't think anyone was ever likely to mistake Resident Evil and Tomb Raider for anything but what they were: enjoyable trash, romps which didn't pretend to be about anything but the action. Let's face it - sometimes asskickery is fun just by itself, and the Resident Evil franchise has asskickery in spades.

Resident Evil: Extinction is the third and likely final part of the series. Following the release of the T-virus into the outside world at the end of Resident Evil, and its spread during Resident Evil: Apocalypse, Extinction shows the world dying as the T-virus kills not only human beings but all life on Earth, leaving it overrun by zombies.

The Umbrella Corporation is still trying to manipulate the virus, although in this film, its chief aim seems to be the "domestication" of the zombies into a docile workforce which it can use to... Well, I don't know quite what, exactly, as the world's economy seems to have dissolved along with civilisation. Their other efforts seem to include undoing the effects of the T-virus by using cloned copies of Alice in the hope that they will imitate her and be immune to its effects.

The film follows Alice as she wanders through the desert of what was America, finally coming across a band of survivors who roam from place to place to avoid being attacked by zombies. She is finally tracked down by, Dr Sam Isaacs, Umbrella Corporation's top scientist, who becomes infected by the T-virus while attempting to capture Alice. She finds their hide-out, where the scientist has overdosed on antivirus and mutated into a hideous monster, which she must kill. It ends with her promising to come and kill the remaining members of the board of the Umbrella Corporation - along with the vast army of clones Dr Isaacs has created for his testing.

As I said before, taken as it is, the film isn't too awful. It's an action film with lots of zombie killing and other asskickery. The plot's a bit limp, but as I said, that's kind of expected. As long as you don't go in expecting Citizen Kane, you'll probably have a decent time watching it.

I have two more films to mention, and then I'll leave you alone for a bit. This essay has already gone on for far too long, and this level of interest in zombies is probably unhealthy.

Dawn of the Dead, as I mentioned earlier, was Romero's 1978 satire on consumerism. It departs quite strongly from Night of the Living Dead, in that Romero demonstrates a sense of humour, rather continuing than the unremittingly dark tone of the previous film. Night also always leave me a little choked up at the end, if I'm honest; Ben went through all of that hardship and horror to make it through the night, striving so hard to survive, and he gets shot by a redneck. Now that's dramatic irony for you, and that right there should tell you that there's more to the film than just flesh-eating zombies.

Anyway. Dawn of the Dead was remade in the form of a stand-alone film in 2004, starring a number of people much prettier than the cast of the 1978 film. The remake lacks the humour of the original; doesn't seem to be at all satirical in nature (despite the shared setting of a mall) and is played more as a "straight" horror; the cast is much increased, resulting in a general feel of even the main characters being a little underdeveloped, while supporting characters are, to be blunt, tacked on. The zombies are also a bit different: in the original, they were (suitably) shambling creatures which needed to be present in large numbers to present a danger, which to my mind only emphasises their non-human nature. In the remake, they're screeching and fast, more reminiscent of the infected in 28 Days Later. Which is fine, I guess, but I think it fails to dehumanise them sufficiently, and detracts from the essential horror of dead things coming back to life; they're dead, they should move in a shambling and incorrect way that jars with us because it's just not right. They shouldn't be athletes.

This may be nitpicking on my part. As a stand-alone film, Dawn of the Dead works pretty well; better than most Hollywood Horror, although that may be damning it with faint praise.

The 2007 remake of Day of the Dead is rather dreadful. It is similar to the original only in name and the presence of an obedient zombie. Its plot, briefly, focuses on an outbreak of a terrible virus in a remote American town which transforms its victims into slavering beasts (once again, think 28 Days Later) with an appetite for flesh. The Army is sent in to blockade the town, and a soldier and her brother, plus sundry others, must survive the night without being nommed by zombies which aren't really zombies.

The acting is competent at best, the special effects done on the cheap, and there is a secret government conspiracy with a hidden bunker. All in all, it's apparent that the remake deserves its straight to video status. I wouldn't recommend it, not one bit, unless you're in the mood for schlock.

And finally, we reach the end of the zombie fest. The flesh is all eaten, the bodies have been burned and we're about to be shot in the head by an ignorant redneck.

I think it's worth reiterating at this point that zombie films aren't just about the walking corpses, although they do make things interesting.

No, zombie films are often all about metaphor and substitution. The living dead can stand in for our fears and represent what's going wrong with our society: they are war, or inhumanity, or a rampant consumer culture. They allow us to externalise these things and make them manageable; they can be shown defeated or victorious without a real commitment or loss on our part.

It is for this reason that they are valuable: they represent a way to overcome and address our fears.

Oh, and it's from It's The End of the World As We Know it (and I Feel Fine) by REM, in case you were wondering.

Current Music:

The Man Comes Around: American IV by Johnny Cash

Electric Samurai: the Noble Savage by Tomoyasu Hotei

David Hasselhoff : Sunteţi vulgare! Femeile Dracula! Duceţi-vă înapoi la Bucureşti! Acolo e Dracula!

Membru juriu:  Aveţi tot ce vă trebuie, cu excepţia vocilor voastre care sună groaznic!

P.S.

După o scurtă negociere live, care promitea mai mult decât o partidă de sex în grup, bagaboantele au obţinut acordul juriului de a merge la Las Vegas. Vom trăi şi vom vedea...

Recomiendo esta novela no solo a todos aquellos que se sientan interesados por la subcultura, el terror o los zombis, sino también a todas las personas que estén dispuestas a pasar un buen rato con este libro, fuente de persecuciones, huidas y descubrimientos. 

P.S.

În prezent are loc un proces, ceea ce nici nu contează de fapt.

Este vorba despre atitudine.

Hemen her konuda mantar gibi çoğalan sosyal ağ acayipliklerine zombiler de eklendi. Lost Zombies içeriği üyeleri tarafından oluşturulan ve zombiler hakkında her türlü bilgi ve belgenin toplandığı bir topluluk. İşin ilginç tarafı Lost Zombies zombilerin gerçekten var olduğuna inanıyor ve üyelerinden resim ve video başta olmak üzere, paylaşacakları her türlü bilgi ve belge ile zombilerin varlığını dünyaya kanıtlamalarına yardımcı olmalarını istiyor. Altyapı olarak ning’i kullanan site ortalama bir sosyal ağda bulunması gereken tüm özellikleri taşıyor.

Premierea-caldura,emotie,plictiseala,discrs,cantec cantat afon,predarea cheii scloii,inmanarrea diplomelor pentru aprticiparea al diferte concursuri scolare,inmanarea diplomelor de merit,plansete,taguri pe scoala,autografe pe tricou,veselie si tristete.

Un ziar elveţian a publicat o caricatură ofensatoare la adresa românilor. În desen apare o cerşetoare in faţa unei bănci , căreia un poliţist ii spune: "Circulaţi". 
Caricatura a aparut la doua zile dupa ce  Elveţia a semnat cu UE un protocol referitor la extinderea acordului privind libera circulaţie a cetăţenilor UE pentru România şi Bulgaria.
Ambasadorul român la Berna, a trimis ziarului un drept la replică, publicat astăzi. Ziarul elvetian a publicat caricatura pe 29 mai.
De ce acest mesaj a apărut la atât de multe zile distanţă după publicarea caricaturii ?
Oricare ar fi motivul întârzierii, acesta nu poate fi unul plauzibil.

sabahlarına kadar it gibi dolandığım bu dünyada tilki, baykuş türlü haşerat gördüm, fare tekmeledim, kertenkele besledim, yarasaya taş attım ama zombi vari bişi görmedim bugüne kadar(bu günden sonra görcem sanki :Pp) , en fazla sarhoş, ayyaş tipler oluyor onlarda da bi atraksiyon yok...

Ammaaa bir de tinerciler varki aha işte zombi sınıfına girer onlar :)) yürüyüşleri, konuşmaları, tavırları benziyor... fakat bunları öldürünce kolluk kuvvetleri ceza kesiyor... ( iz bırakmamak lazım... )

daha ısıranınada rastlamadım...

http://www.lostzombies.com/

Băsescu are o sosie in insula elenă Zakinthos.

De când a ajuns atracţie turistică, amatorul de şpriţuri  Nikos Dracopoulos râde ca broasca la inundaţie hâ hâ hâ hâ...

TEngooooo sueñooooooOOOO !! y que lo sepa todo el munddooooooooooo!

jajajaja!

Bueno, quizá no todo el mundo, sino que solamente la gente que lee este blog xD jajaja el blog de peluca! (ahora lo bautizamos así :p! ) jaja...les cuento brevemente que Darkmandfred me ha prestado un post de su blog :O !, y yo lo tengo de invitado en mi home! :p jajaa.

Como típico estudiante de vida ocupada, hasta hoy estamos terminando una tarea de prograaaaaaa!!! que es para ahoRAAAA!!! assiii de claro! es para hoy y aun no hemos terminado, la situación es difícil pero estamos tratando de mantener la calmaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa!!!

¿Como mantener la calma en una situación así? bueno, esto es lo que hemos hecho:

Canalizar nuestra desesperación escribiendo un post ;) , diciendo cosas raras que a veces no entiendo, comer  y reírnos de cualquier cosa jajajaja.

Bueno, vamos a describir un poco nuestro contexto, tenemos: varias computadoras, como para abrir un ciber café xD y con el café incluido,

Ultima horaaaaaaaaa!!!

En estos momentos:

Elizabeth dice: los voy a matar, tienen sus días contados! y estoy apunto de golpear y quitarle la peluca a Darkmandred..porque cuentan las mala lenguas que tiene, de pelo, solo un mechoncito como el de los bebes de juguete que apenas les colocaron porque ya se les estaba acabando el material con que les ponen el cabello!!!! y ya despues de un cierto tiempo se les ha caido todo.... ah y saben otra cosa????  en este preciso momento..usa un SUETER ROOOOSAAAAA!!!! Nooooooooo!! que YO ni aunque estuviera en el Polo Norte, usara!! FUE HORRIBLEEE!!!

Compañera 2 dice: bueno, no dice nada xD jajaja porque ya se durmió jajaajajaaaa

Y yo: ya casi terminando este post prestado,...

Darkmanfred (a.ka. Peluca! o peluquin ) dice:

A la loca zombi de la Elisa, primero que mi cabello es 100% natural y sedoso (sobre todo esto ultimo), y segundo el sueter rosa es porque hace frio y ni modo que escoger colores cuando se tiene frio, además estoy muy seguro de mi sexualidad, y bueno, hasta qui.

Ca să vedeţi casele lor, ca să vă arăt cine sunt ei, ca să ştiţi că există...

Uimitor... hâ - hâ - hâ - hâ  şamd

Élet értelme, mi van a halál után stb...

Örömmel jelenthetjük ki, hogy néhány hasonlóan fontos kérdésre végre megkapjuk a választ.:-)

Pontosan, ahogy a képen is láthatjuk. Hány 5 éves

gyereket tudunk legyőzni?

Illetve egy esetleges zombi támadás esetén hány

százalék esélyünk van a túlélésre?

Várjuk az eredményeket:)

Pentru a reuşi această scârboasă performanţă, monstrul a folosit regula de trei simplă :

cândva femeie, s-a făcut apoi  bărbată, după care s-a gândit că n-ar strica şi un plod.

 Azi avem fest. Ghei.

UPDATE :

Beatie a născut pe 29 iunie la un spital din Oregon, SUA. Atât el cât şi nou-născuta se simt foarte bine.

Beatie şi soţia lui, Nancy sunt extrem de fericiţi de venirea pe lume a micuţei, dezvăluie "Times Online".

Karen e le sue figlie, Emma e Sarah, si trasferiscono a Carlton, in una casa di campagna vicino a una cittadina mineraria, che un secolo prima era stata teatro di una tragedia che aveva visto la morte di un gruppo di bambini, schiacchiati nel crollo di una miniera. Terribili incubi cominciano ad inquietare Karen, che teme di aver perduto Emma, scomparsa nel bosco adiacente, ma in realtà entrata in contatto con Mary, una bambina zombi..

Commenti:

I film sui morti viventi mi han da sempre appassionato molto ma quello che ho appena visto mi ha lasciato decisamente perplesso.  La trama è piuttosto noiosetta e e la sceneggiatura a volte inadeguata. Se volete guadare un film sugli zombies sceglietevi qualche altro titolo o, probabilmente, rimarrete un po' delusi.  Un voto? 5,5 non di più.
- SantoWaay

 Suspance nei primi 40 minuti, pessimo tutto il resto. Voto 5.
- Rigo

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